Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism [Hardcover]

$179.00

 AVAILABLE IN TWO DELUXE EDITIONS


STANDARD EDITION HARDCOVER
This giant 12 in. x 16 in. hardcover is printed to scale with Alphonse Mucha’s original artworks for Le Pater. Published in ultra-high resolution on fine cotton paper with advanced color correction, deluxe varnishes, and gilt highlighting to create a boutique keepsake volume. This version is also greatly expanded in its academic research with the addition of important and rare historical photos and a thorough decoding of the Judeo-Christian and Masonic Symbolism hidden in the artworks. Hardcover, 12” x 16”, 224 pages


LIMITED CLAMSHELL BOX EDITION (Ed. of 200) 
The superior contents of the 12 in. x 16 in. limited edition hardcover, bound with custom designed, hand-marbled Renato Crepaldi end papers in a special fabric cover with gilt lettering and a limited edition archival, high-resolution facsimile of the final artwork titled “AMEN”, all contained in an archival fabric clamshell box designed to dramatically recreate the experience of the original 1899 presentation. Limited edition of only 200 copies, signed and numbered by author Thomas Negovan on a deluxe vellum insert page. Hardcover, 12” x 16”, 224 pages

 QUOTES & REVIEWS

"Alphonse Mucha is an astonishing genius. I love his work, and have half a dozen books about him (plus probably twenty more where he is featured). He was a supreme craftsman enjoying incredible technical facility, a unique sense of design, and a sublime aesthetic judgement– yet his masterful illustrations and decorations for The Lord’s Prayer remain relatively unknown. Hopefully this book will change that. Thomas Negovan’s beautiful book is probably my all-time favourite exploration of an artist who brought joy and beauty into the world and– simply put– played his part in making the world a better place." Roger Dean, Artist and Designer


"There's a whole lot of talk about magick and the occult these days, but very few recognize just how much work and artistry go into development of a true sigil. This stunning homage to Le Pater not only reveals the intricacies and depth of Alphonse Mucha's Symbolist Masterpiece, it also demonstrates the sort of research, decoding, dedication, and precision required to embark on a mystical journey of this magnitude." —Douglas Rushkoff, Author (Team HumanThrowing Rocks at the Google Bus)


"Bravo to Thomas Negovan for his in-depth study of this Symbolist masterpiece of Alphonse Mucha. This is an exquisitely designed and well thought-out tribute to the Father of Art Nouveau. This book is truly a thing of beauty!" Thomas Blackshear, Illustrator and Fine Artist


“A rare example of fine book making, as well as a substantial groundbreaking study towards a deeper and greater understanding of Alphonse Mucha's deeply enigmatic, often misunderstood Masterpiece of Symbolist mysticism. Thomas Negovan's Le Pater celebrates the Religion of Beauty magnificently within its pages.”, —E. Elias Merhige, Director (Shadow of the Vampire, Begotten)

 

ABOUT ALPHONSE MUCHA'S LE PATER 

By December 20, 1899, Alphonse Mucha had experienced four years as the most recognizable proponent of Art Nouveau graphics and the most celebrated illustrator in Paris. The massive output of the artist in his first four years in the advertising and decorative world earned much for Mucha's publisher but very little for the artist himself.

As the end of the century grew near, Alphonse Mucha insisted upon the release of a deeply personal work, and printed 510 copies of what he for the remainder of his life considered his works-on-paper masterpiece, Le Pater.

Decidedly non-denominational, Mucha's exploration features a female deity protecting humankind and a number of sophisticated occult themes across a series of images of mystical illustrations.

Unlike the advertising art that had dominated Mucha's output since his "discovery" by Sarah Bernhardt in late 1894, Mucha described this series of images to a New York reporter as "the thing I have put my soul into." (The Sun newspaper, 5 January, 1900)

Mucha's previous artworks were lithographed on numerous mediums ranging from paper to silk, in multiple formats; Mucha's publisher Champenois saw that Mucha was the most printed artist in Paris in the late 1890s. Mucha's concern, understandably, was likely that the imagery of his spiritual work would be capitalized upon. By 1899, he had earned the right to demand that the Le Pater images would be produced in an edition of only 510 copies, and subsequently saw the plates destroyed- ensuring the work would never be reprinted for mass-market purposes.

The images from Le Pater are mentioned in numerous Mucha books as his masterpieces and are universally acknowledged alongside his massive Slav Epic paintings as his finest work. However, as a result of Mucha's forced limitation of the publication of this masterwork, the rarity of the lithographs means that most books are limited to mentioning the images in the text and leaving the reader to wonder what these "lost masterpieces" might look like.

The original promotional materials for the Le Pater series name these artworks as of "rare interest and considerable importance". Over 115 years later, the description continues to ring true.